µµ¼­
- ¹êµå½ºÄÚ¾î
- ¾Ç±â¿Í ¹ÂÁö¼Ç
- ÀÏ·º±âŸ ±³º»
- º£À̽º ±³º»
- µå·³ ±³º»
- ¾îÄí½ºÆ½ & Ŭ·¡½Ä ±âŸ
- ±× ¿Ü ¼­Àû
DVD
Sun499 Gigbags
½ã499 ±ã¹é
Sun499 Pedalboards
½ã499 Æä´Þº¸µå
Sun499 Straps
½ã499 ½ºÆ®·¦
Aguilar®
¾Æ±Ð¶ó
Comfort Strapp®
ÄÄÆ÷Æ® ½ºÆ®·¦
Danelectro®
´íÀÏ·ºÆ®·Î
G&L®
Áö¿£¿¤
G&L® Tribute
Áö¿£¿¤ Æ®¸®ºäÆ®
ModTone® Effects
¸ðµåÅæ ÀÌÆåÅÍ
Pyramid® Strings
ÇǶó¹Ìµå ½ºÆ®¸µ
SNARK® Tuners
½º³ªÅ© Æ©³Ê
Souldier® Strap
¼ÖÀú ½ºÆ®·¦
Spectraflex® Cables
½ºÆåÆ®¶óÇ÷º½º ÄÉÀ̺í
StringSwing® Display
½ºÆ®¸µ½ºÀ® µð½ºÇ÷¹ÀÌ
¹ÂÁ÷¾ØºÏ½º
ȸ»ç¼Ò°³
About Us
Á¦Ç°¼Ò°³
Products
´ë¸®Á¡
Where to buy
°ø¿¬¾È³»
Live Info
  All Products > Books > Acoustic Lessons >
 

Beyond Basics: Acoustic Blues Guitar
Book & CD

ÃâÆÇ»çAlfred
ÀúÀÚKeith Wyatt
¾ÆÀÌÅÛ #00-0059B
ºÐ·®64 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹


¾îÄí½ºÆ½ ±âŸÀÇ ºí·ç½º ÄÚµå ÇüÅÂ, ½ºÅ¸ÀÏ¿¡ µû¸¥ ¸¯°ú ÆÐÅÏ, ºí·ç½º ½ºÄÉÀÏ, ÅϾî¶ó¿îµå, ¼Ö·Î ÄÁÆ®¸® ºí·ç½º ½ºÅ¸ÀÏ ±âŸ, µ¶¸³ÀûÀÎ º£À̽º ¶óÀΰú ¸á·Îµð ¾ÆÀ̵ð¾î µîÀ» ´Ù·ç°í ÀÖ´Â ·¹½¼ºÏÀÔ´Ï´Ù.
Ÿºê¾Çº¸·Î ±âº¸µÇ¾î ÀÖÀ¸¸ç ·¹½¼ºÏ¿¡ ½Ç¸° ¿¹Á¦µéÀÇ µ¥¸ð°¡ ¼ö·ÏµÇ¾î ÀÖ´Â CD°¡ ºÎ·ÏÀ¸·Î Æ÷ÇԵǾî ÀÖ½À´Ï´Ù.


- Contents -


Introduction
Tuning notes

SECTION I: INTRODUCTION TO ACOUSTIC BLUES
Preface
BASICS: Open Position Chords
Example 1: The E Chord
Example 2: The E7 Chord
Example 3: The A Chord
Example 4: TheA7 Chord
Example 5: The B7 Chord
Example 6: Combine All Three Chords
Example 7: D & D7 Chords
Example 8: C7
Example 9: F7
Example 10: G and G7 Chords

CHAPTER 1: BLUES PROGRESSIONS
Example 11: Bass-Chord Pattern
Example 12: Blues Progression In E
Example 13: Blues In A
Example 14: Blues In C
Example 15: The Quick-Change Progression

CHAPTER 2: RHYTHM
Example 16: The Shuffle Groove
Example 17: Left-Hand Embellishments
Example 18: A7 Embellishment
Example 19: Whole Progression
Example 20: E7 Variation
Example 21: Quick-Change in E

CHAPTER 3: BASS-LINES
Example 22A: E7 to A7 Bass-line
Example 22B: A7 to E7 Bass-line
Example 22C: Another A7 to E7 Bass-line
Example 22D: B7 to A7 Bass-line
Example 22E: The Whole Bass-line Progression
Example 23: The Jimmy Reed Progression
Example 24: Up-Strokes and Accents
Example 25: Blues Rhythm Lick
Example 26: Full Progression
Examples 27-28:
Example 29: Blues in E Turnaround

CHAPTER 4: BLUES IN A
Example 30A: A7 Embellishments
Example 30B: D7 Embellishments
Example 30C: Blues In A
Example 30D: E7 to D7/F#
Example 30E: Blues In A
Example 31: Blues In A Turnaround


SECTION II: SOLO ACOUSTIC BLUES GUITAR

CHAPTER 5: BLUES LICKS
Example 32A: E7 Blues Lick
Example 32B: A7 Lick
Example 32C: B7 Lick
Example 32D: E7 Lick
Example 32E: A7 Lick
Example 32F: Turnaround Variation
Example 32G: Whole Progression
Example 33: More Blues Bass-lines

CHAPTER 6: BLUES CHORD SOLOING
Example 34: E7 Inversions
Example 35: Chromaticism
Example 36: Blues Chord Solo 1
Example 37A: A7 Inversions
Example 37B: A7 Inversions with Chromatics
Example 37C: Chord Solo Turnaround
Example 37D: Blues Chord Solo 2
Example 37E: Blues Chord Solo 3

CHAPTER 7: THE BLUES SCALE
Examples 38A-38I: E Blues Licks 1-9

CHAPTER 8: FINGERSTYLE BLUES
Examples 39A-39H
Example 39I: Muddy Waters Progression
Example 39J: Muddy Waters Turnaround

CHAPTER 9: PUTTING IT ALL TOGETHER
Examples 40-42


 

Copyright © 2006-2016 Music N Books. All rights reserved.